Babes in Toyland
múm

Toyland. That’s the enchanted child’s world that Icelandic band múm took us to from the very first wave of raggedy melodic layers to the last in its concert last night at the cavernous Esplanade Concert Hall.

Pweeet, toot, pling, clang… It was with an assortment of toy and regular musical instruments – melodicas, guitars, pianettes, cello, bass, drums, whirly pipe, trumpet, piano, harmonica, kazoo - as well as electronics and the vocals of Gunnar Örn Tynes (co-founder and multi-instrumentalist), Hildur Guðnadóttir (violinist and cellist), and Sigurlaug Gísladóttir a.k.a. mr silla (multi-instrumentalist) that the seven-man band performed its repertoire.

From ambient soundscapes to chanting ballads (Oh, How the Boat Drifts) to pretty melodies (Marmalade Fires) to catchy little ditties (A little bit sometimes), these focused on building drama more than structure, and lushly orchestrated fanfare rather than sing-a-long songs.

If only we could have heard what they were singing-murmuring-gurgling, we’d have seen some of the oddest, quirkiest images painted by the lyrics. But as it was, it was the effects of the vocals, sound effects and music that kept things otherwordly.

And maybe it was the hypnotic effect of the incantation-like repetition, or the electronic hum and digital drone in the background, or the little-girl singing, but it wasn’t long before the people up onstage began to resemble dolls to our fuzzy minds.

However, for all its ethereality, the group couldn’t have been more down-to-earth. “Wow. They are really nice”, whispered the person sitting next to me. And truly they were loved by their audience, judging from the standing ovation they got after two encores – first, the stirring dirge The Ghosts You Draw On My Back (“I hope tonight I dream of salty tongues so tears drip down my legs”) and the second ending in a post-rock noise wave somewhat beautiful and lonely.

 

They said:

“It’s almost a little overwhelming, this place is so nice…” – Hildur Guðnadóttir

“It’s been very nice this evening. We’ve enjoyed. […] wants to give you something…It’s a kazoo” – Gunnar Örn Tynes, throwing the little instrument to the audience

“One more hour!” – member of the audience, yelling when it was almost time for the group to go

“I liked the female vocalists most of all although they were dancing like my 2-year-old niece does when she watches kids’ tv.” – Sheena, junior copywriter

“Fantastic drummer, the Finnish guy, Samuli Kosminen.” – Lox, foreign student

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All ‘Bout Love, Love, Love!
Get Up, Stand Up! Reggae’s Greatest Songs with
Desmond Foster and band, with guest MC/DJ Papa Dee


Bringing that breezy, feel-good Caribbean vibe to the Theatre Studio last night was Sweden’s reggae master Desmond Foster, heating up the dance floor with two hours of non-stop music!

Together with his band, Desmond got the audience shakin’ dere baxsides to his own originals and reggae classics such as I Didn’t Know by Dennis Brown, Dreamland by Bunny Wailer, and Bob Marley standards such as Get Up Stand Up and No Woman, No Cry. But more than nostalgic old-school reggae, these were funked up with a ska and hip-hop feel, delivered with some really tight playing and a laidback groove that showed off each musician’s Jamaican roots and influences and Desmond’s soulful voice.

Swedish rap-ragga artist MC Papa Dee made a guest appearance on the set, backing up Desmond with hip-hop-dancehall rhymes, as well as performing some of his solo hits such as Island Rock. It was fantastic to see the real chemistry and camaraderie between the two friends as each got the audience clapping and cheering for the other in between songs.

Spreading positive messages of faith, love, and courage amidst reggae’s underlaying social commentary, Desmond’s unifying brand of reggae was a breath of fresh air that lifted all up…literally, as every member of the audience danced and two-stepped from start to finish, and it was irie, irie, irie!

 

They said:

“It’s a great show! I don’t really know much about Desmond Foster but I enjoyed the show so much that I bought his vinyl single! It’s good!” – Jumahat, 36, graphic designer

“I saw Brooklyn Funk Essentials at last year’s Mosaic and it’s great to see Papa Dee returning for another round!” – Ismail, 23, student

“The show is really powerful! Great songs, great crowd and a lot of energy! It’s really fun!” – “Sufian, 19, student

“You guys got to be more friendly! Come in closer and vibe with us!” – Desmond Foster urging the crowd to move to the front of the stage

“When we heard we’re going to come to Singapore, we were very excited! We’ve been preparing this for months. Now that we are here and we see people dancing to reggae, it’s just beautiful!” – Desmond Foster

“Grab your lover and dance to this one!” – Desmond Foster introducing Love, Love, Love

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Relax One Corner with Najip
9:15pm: Najip Ali was at it again! The comedian earned lots of chuckles from the audience with his silly banter with guests Sondra Lerche, Up Dharma Down and Violet. After getting the three acts to perform a short segment of their original tunes, Najip also challenged Sondra and Violet to compose a song on the spot with local Singlish slang like “Why you so like dat?”, “Wah lau eh!”, and “Si bei jia lat.” Sondra proved a huge hit with the amused audience, getting his Singlish right with every phrase!

They said:

“Sondra Lerche is really good! He could be a Singaporean with his spot-on Singlish accent!” – Shirlynn, 22, admin assistant

“I hear from some of my friends that Singapore is very clean and you are very funny people!” – Sondra Lerche on Singapore

“There’s something hot in the middle and it’s not pleasant!” – A Violet band members

“Thank you hor!” – Up Dharma Down to Najip Ali

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